Astron · Century City HQ · lighting by Lamphouse
Workstation lighting that works with the daylight instead of fighting it. Screen-safe glare control (UGR<19), the circadian tunable-white shift wellness teams now spec, daylight harvesting where the windows make it worth it, and presence-based controls that quietly drop the energy bill. Designed for the floor plan, the screens and the people.
A corporate head office where the lighting is part of the architecture: bespoke curved coves, feature ceilings and screen-safe workspace light, designed and installed by Lamphouse LED Solutions. Real project, real photographs, and we'll connect you with comparable references under NDA where the client requires it.
Request named references →The Astron Century City head office: bespoke feature coves, corridors and open-plan workspace, lit and photographed on a real Lamphouse LED Solutions project. Not stock.
Office lighting is judged by the people who live under it for eight hours a day, and they notice when it's wrong, even if they can't name why. Too much glare and the monitors bounce; too cool and flat and the room feels like a call centre; no daylight linking and you're burning full power at 2pm next to a wall of windows. A good office scheme balances three things most quotes ignore: glare control tuned to screens (UGR<19), a colour temperature that suits the work and the time of day, and controls that harvest the considerable daylight a South African building gets for free. Get those right and you cut energy and the space feels better to be in.
An office is judged by the people who spend their day in it: whether they can focus, whether the space feels good to walk into, whether it flatters the brand to a visitor. So we design for the experience of each space first: comfort at the desk, calm in the meeting room, a confident first impression at reception. The screen-friendly glare control, the daylight that does half the work for free, the controls that quietly trim the bill, all of it serves the experience rather than sitting on top of it. Here's how we think about each space.
| Space | The experience we're after | How we light it |
|---|---|---|
| Open-plan workstations | Focus & ease | Comfortable, even light that's kind to screens, no harsh glare bouncing off monitors, softening near the windows so the daylight carries the room and the eyes don't tire. |
| Private & cellular offices | Concentration & control | Warm, settled light at the desk that the occupant can adjust to suit the task and the time of day, a room that supports deep work. |
| Meeting & boardrooms | Presence & clarity | Flattering light on faces for video calls, dimmable from presentation-bright to conversation-soft, the room reads as considered. |
| Reception & lobby | First impression | A warm, layered welcome with feature light on the brand wall, the moment a visitor decides what kind of company this is. |
| Breakout & canteen | Decompress | Relaxed, warmer light that feels distinct from the work floor, a genuine change of gear. |
| Corridors & circulation | Calm flow | Easy, guiding light that moves people through comfortably and gently steps down when areas are empty. |
| Wellbeing & tunable spaces | Energy & rhythm | Cooler and brighter through the morning, warmer toward the evening, light that works with the body's clock, the spec premium fit-outs increasingly expect. |
Every workplace is designed to its layout, glazing and the way people actually use it: comfort and brand experience leading, with screen-friendly glare control, daylight harvesting and presence controls working quietly underneath. The full lighting and controls detail is available as a separate spec sheet for facilities and procurement teams, ask for it with your proposal. (Statutory emergency and egress lighting is included as part of the build.)
Corporate HQs, professional firms, co-working, fit-outs and refurbishments, the brand changes but the discipline doesn't. Design for the people and the screens, control for the daylight.
Even, low-glare light across the workstations with daylight-linked dimming on the window rows. The bread-and-butter office job, done so screens stay readable.
Dimmable scenes that switch from presentation to discussion, with good light on faces for the video calls that now run every meeting.
The first impression of the brand, layered ambient and feature lighting that sets a tone.
Colour temperature that shifts cooler through the morning and warmer toward the evening, the wellness spec that's becoming standard on premium fit-outs.
DALI and wireless controls that harvest daylight and switch off empty zones. We spec controls where the payback is real.
Swapping tired fluorescent troffers for designed LED panels and linears, often re-using the ceiling grid, fast payback, immediate comfort lift.
Corporate offices, HQ campuses, facilities-managed estates, law firms and schools we've lit across South Africa.









A selection of clients we've supplied and/or installed for.
We import the best workplace kit from the manufacturers worth importing and spec the right one for your floor, rather than bending every brief to one catalogue. On an office, that means the right glare class and the right control system for the floor.
Every job starts with a lighting designer running the lux model, the UGR glare check and the daylight/controls strategy, then we spec the kit and the payback alongside the quote.
Corporates, property funds and public-sector tenants can buy from us without an exception process. Certificate current, documentation in your inbox the day you ask.
Our project manager phases the install over evenings and weekends so the floor never stops. Crews work to our commissioning standard, with a maintenance SLA on the table if you want one.
"The complaints about glare on the screens stopped overnight, and finance liked the lighting bill even more."
A typical office refurb swaps tired recessed fluorescents for designed LED panels and linears. The old scheme was uniform, over-lit and glaring straight into monitors; staff had taped over fittings and brought in desk lamps, a sign the ceiling was working against them.
Our designer reset the layout to a screen-safe glare class, dropped the working-plane lux to a comfortable level, and added daylight-linked dimming on the window rows plus presence control on the meeting rooms and circulation. Energy fell because the building stopped lighting empty space at full power next to a wall of glass; comfort rose because the glare was gone.
Whether it's a single floor or a multi-storey HQ, the approach is the same, design for the people and the screens, control for the daylight. Brief us on your office → (Representative of typical Lamphouse office refurbishments, happy to walk through a specific named project under NDA.)
Send us the basics: a floor plan if you've got one, the ceiling type, how each area is used, the glazing, and your capex envelope. We'll come back inside the week with a screen-safe lux model, a controls strategy, a costed bill of materials and a payback that's honest about the running costs.